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Timm Ulrichs’ artistic oeuvre encompasses conceptual works, sculptures, environments, photographs, performances, actions, concrete poetry, wall objects, and text-based works.
Through this practice, he developed a radical expansion of the concept of art and transcended genre boundaries. Ulrichs described himself as a “total artist,” meaning the unique fusion of art and life. Since the 1960s, he has placed his life and daily routine—as well as his own body—at the center of his art as essential components. In doing so, Ulrichs constantly plays with ambiguities, at times confronting viewers with great wit, and eludes any clear definition. Not least, Timm Ulrichs questions supposed certainties and repeatedly brings them to our attention in a manner that is both provocative and entertaining.
Timm Ulrichs (1940–2026), Untitled (Homage to Mondrian III, Serial Formation), 1974, postcards, 50 × 59 cm, © VG Bild-Kunst, Bonn 2014; Photo: Museum für Konkrete Kunst und Design, Helmut Bauer
Timm Ulrichs (1940–2026), Großes Tacker-Bild (Large stapled picture), 1998, Inkjet-Print on canvas and stretcher frame, 120 × 200 cm, © VG Bild-Kunst, Bonn, 2014; Photo: Museum für Konkrete Kunst und Design, Helmut Bauer
Born in Berlin
Studied architecture at the Technical University of Hanover
Founded the “Advertising Agency for Total Art & Banalism” and declared himself the “first living work of art”
Public “self-exhibition” at the Patio Gallery in Frankfurt am Main
Visiting professor at the State Academy of Fine Arts in Braunschweig
First “Total Art” retrospective at the Museum Haus Lange in Krefeld
Professor at the State Academy of Fine Arts in Münster
Participation in documenta VI in Kassel
Defet Prize from the German Artists’ Association, Berlin; Will Grohmann Prize from the Academy of Arts, Berlin
“Artists’ Art Prize” of the DER GROSSEN Art Exhibition NRW, Düsseldorf
Inducted into the SKKD
Käthe Kollwitz Prize from the Berlin Academy of Arts for his life’s work
Died in Berlin
Hängepartie: Art with an Open End (group exhibition)
Reflections / Mirror Worlds (group exhibition)
Black on White: Highlights from the Maximilian and Agathe Weishaupt Collection and the Foundation for Concrete Art and Design (group exhibition)
Bending or Standing Firm: The Art of Folding (group exhibition)
Neon: The Glow of Art (group exhibition)
Angular, Colorful, and Round: An Exhibition for the Whole Family (group exhibition)
Timm Ulrichs: Image Finder – Image Inventor
Raw Materials. From the Hardware Store to the Museum (group exhibition)
Highlights II: 5 Years of the Foundation for Concrete Art and Design (group exhibition)