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The exhibition Hängepartie. Art with an Open End assumed the term “Hängepartie”(deadlock)—originally from adjourned game in chess—as a metaphor for situations of uncertainty. Against the backdrop of the pandemic, which also placed the art and culture scene in a state of waiting, the show explored the creative potential of such liminal states.
The Museum of Concrete Art deliberately reinterpreted the term in a positive light, because: An exhibition is always a “Hängepartie”—a slice of the art world that is hung up and thus brought into view. In keeping with the subtitle Art with an Open End, the MKK presented works from its own collection as well as pieces by invited artists that evoked various associations with tension, uncertainty, and open-ended developments.
Participating artists:
René Acht • Nevin Aladağ • Hartmut Böhm • Monika Brandmeier • Afra Dopfer • Marcel Duchamp / John Cage • Karl Duschek • Knopp Ferro • Ceal Floyer • Franziska Furter • Camille Graeser • Edgar Gutbub • Dieter Hacker • Stef Heidhues • Vanessa Henn • Gregor Hildebrandt • François Morellet • Hannah Rath • Alf Schuler • Jesús Rafael Soto • Timm Ulrichs • Heike Weber • Sebastian Wickeroth • Ludwig Wilding
Exhibition poster, Hanging in the Balance. Art with an Open End, 2022